“Every company in the country is fiddling its profits. Every set of published accounts is based on books which have been gently cooked or completely roasted. The figures which are fed twice a year to the investing public have all been changed in order to protect the guilty. It is the biggest con trick since the Trojan horse. In fact this deception is all in perfectly good taste. It is totally legitimate. It is creative accounting” [Griffiths, 1986]
Thirty years has passed since Ian Griffiths wrote the above in the introduction to his 1986 bestselling book. Paying particular attention to how the field has advanced in the past thirty years, undertake a critical review of the key literature on creative accounting to critically evaluate:
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